In 1958, Lai Mei Lin, 28, becomes the first

Chinese woman promoted to Senior Clerk in the

Colonial Education Office, her name printed in

the Straits Times under “Merit over Race.” That

night, she sleeps in her new HDB flat at Tiong

Bahru Block 78—her first home not rented from a

kampong landlord. By morning, her promotion

notice is gone. The office claims it was “a

clerical error.” She refiles. It vanishes again.

The building’s caretaker, a Malay man named Pak

Hassan, watches her with wet eyes. He never

speaks, but leaves a plate of kueh lapis and a

sprig of kemboja by her door every Friday. When

she asks why, he bows and says nothing. That

night, she hears the taptaptap of bare feet on

the ceiling—not from above, but from below. The

floorboards breathe.

The HDB flats were built over the old Muslim

burial grounds near Bukit Timah Road. The

government bulldozed the graves in ’56, claiming

“progress needs space.” But the spirits did not

leave. They cling to the cement, to the pipes,

to the women who climb too fast. The rule: no

one rises if the dead are ignored. The second

rule bites when she finds her mother’s old kopi

tiam receipt tucked in her desk drawer—dated

1942, written in Jawi, with a smudge that looks

like a handprint. Her mother never left Kampong

Bahru. She died before Mei Lin was born.

Mei Lin files a third promotion. The next day,

the water in her flat turns black. The taps drip

salt. The children in the corridor stop playing

when she walks past. She visits the mosque at

Kampong Kapor. The imam gives her a small

leather pouch—“For the ones who were not asked.”

She hangs it by the door.

On the fourth promotion attempt, her name

appears in the gazette. That night, she wakes to

the smell of burnt incense and jasmine. A woman

in a white baju kurung sits at her kitchen table,

eating kueh lapis with her fingers. No face.

Only the shape of sorrow. The ghost does not

speak. But Mei Lin feels it: her ambition is a

knife in the earth. The dead are hungry. The

ghost points to the ceiling, then to Mei Lin’s

chest.

She withdraws her application. The next morning,

the promotion notice is back—on her boss’s desk,

in the name of a Malay clerk who died in the

Occupation. The ghost’s handprint now glows

faintly on Mei Lin’s wrist. She does not cry.

She packs her things. Takes the pouch. Walks out

of Block 78 without looking back.

Three weeks later, a new family moves in. They

hear the tapping. They laugh. They say it’s just

the pipes.

Mei Lin opens a small tuition centre in Tampines.

She teaches girls how to write essays. She never

mentions HDB. She never sleeps in highrises

again. But every Friday, she buys kueh lapis.

And leaves it on the steps of any new HDB block

she passes.