The flat in Block 14B is listed as vacant, but

the app shows it’s occupied. A digital nomad

from Penang signs a lease, unaware of the ghost

stories that linger in the concrete. The walls

hum with static, and the fridge door opens on

its own. She finds a faded photo of a man in a

white Tshirt, eyes hollow, standing in the same

spot where she now sleeps.

The flat’s previous tenant was a local Ah Beng

who disappeared after a feud. His name is etched

into the wall behind the toilet, scratched deep

with a knife. The woman notices the pattern of

the scratches matches a tattoo she once saw on a

street vendor’s arm—part of a gang symbol no

longer active. She tries to delete the photo,

but it reappears each morning, the man’s face

more defined.

She downloads a local folklore app, which warns

of "HDB ghosts"—spirits trapped by unresolved

trauma. The app’s algorithm flags her location

as a highrisk zone. She calls the estate office,

but the line goes dead. The building’s

maintenance staff vanish overnight. Her internet

cuts out, and the lights flicker in time with

her heartbeat.

In the kitchen, she finds a jar of preserved

tamarind under the sink. Inside, a note written

in old Singlish: “Don’t trust the flat. He’s

still here.” The tamarind is sour, but the jar

is sealed. She opens it, and the air turns cold.

The man from the photo appears in the mirror,

his mouth moving without sound. She backs into

the wall, and the door locks.

The next day, she finds a new message on her

phone: “He wants you to finish what he started.”

She realizes the curse is tied to the flat’s

original owner, a gangster who died during the

1960s riots. His spirit lingers, waiting for

someone to break the cycle. She searches for his

name in old newspapers, finds a record of his

death, and writes a short story about him. The

flat’s power surges, and the man’s image

dissolves into smoke.

The next morning, the flat is empty. The lease

is canceled. No one remembers the gangster’s

name. The woman moves out, but the tamarind jar

remains on the shelf. She never sees the man

again, but sometimes, when the wind blows

through the estate, she hears his laugh echo

from the void between the blocks.